Albanian art has a long and eventful history. Albania, a country of southeastern Europe, has a unique culture from that of other European countries. The Ottoman Empire ruled over Albania for nearly five centuries, which greatly affected the country's artwork and artistic forms. After Albania's joining with the Ottoman Empire in 1478, Ottoman influenced art forms such as mosaics and muralpaintings became prevalent, and no real artistic change occurred until Albanian Liberation in 1912.
Following mosaics and murals of antiquity and the Middle Ages, the first paintings were icons Byzantine Orthodox tradition. Albanian earliest icons date from the late thirteenth century and generally estimated that their artistic peak reached in the eighteenth century. Among the most prominent representatives of the Albanian iconographic art were Onufri and David Selenica. The museums of Berat, Korca and Tirana good collections remaining icons. By the end of the Ottoman period, the painting was limited mostly to folk art and ornate mosques.
Paintings and sculpture arose in the first half of the twentieth century and reached a modest peak in the 1930s and 1940s, when the first organized art exhibitions at national level. Contemporary Albanian artwork captures the struggle of everyday Albanians, however new artists are utilizing different artistic styles to convey this message. Albanian artists continue to move art forward, while their art still remains distinctively Albanian in content. Though among Albanian artist post-modernism was fairly recently introduced, there is a number of artists and works known internationally. Among most famous Albanian post-modernist are considered Anri Sala, Sislej Xhafa, and Helidon Gjergji.
Music and folklore
Albanian folk music falls into three stylistic groups, with other important music areasaround Shkodër and Tirana; the major groupings are the Ghegsof the north and southern Labs and Tosks. The northern and southern traditions are contrasted by the "rugged and heroic" tone of the north and the "relaxed" form of the south. Southern instrumental music includes the sedate kaba, an ensemble-driven by a clarinet or violin alongside accordions and llautës. The kaba is an improvised and melancholic style with melodies that Kim Burton describes as "both fresh and ancient", "ornamented with swoops, glides and growls of an almost vocal quality", exemplifying the "combination of passion with restraint that is the hallmark of Albanian culture."
These disparate styles are unified by "the intensity that both performers and listeners give to their music as a medium for patriotic expression and as a vehicle carrying the narrative of oral history", as well as certain characteristics like the use of rhythms such as 3/8, 5/8 and 10/8. The first compilation of Albanian folk music was made by two Himariots song artists Neço Mukaand Koço Çakali in 1929 and 1931 in Paris during their interpretations with the Albanian song diva Tefta Tashko Koço. Several gramophone compilations were recorded in those years by this genial trio of Albanian artists which eventually led to the recognition of the Himariot Isopolyphonic Music as an UNESCO World Heritage.
Albanian folk songs can be divided into major groups, the heroic epics of the north, and the sweetly melodic lullabies, love songs, wedding music, work songs and other kinds of song. The music of various festivals and holidays is also an important part of Albanian folk song, especially those that celebrate St. Lazarus Day, which inaugurates the springtime. Lullabies and vajtims are very important kinds of Albanian folk song, and are generally performed by solo women.
Albanian language and literature
Albanian was proved to be an Indo-European language in 1854 by the German philologist Franz Bopp. The Albanian language comprises its own branch of the Indo-European language family.
Most scholars argue that Albanian derives from Illyrian while some others claim that it derives from Daco-Thracian. (Illyrian and Daco-Thracian, however, might have been closely related languages; see Thraco-Illyrian.)
Establishing longer relations, Albanian is often compared to Balto-Slavic on the one hand and Germanic on the other, both of which share a number of isoglosses with Albanian. Moreover, Albanian has undergone a vowel shift in which stressed, long o has fallen to a, much like in the former and opposite the latter. Likewise, Albanian has taken the old relative jos and innovatively used it exclusively to qualify adjectives, much in the way Balto-Slavic has used this word to provide the definite ending of adjectives.
The cultural renaissance was first of all expressed through the development of the Albanian language in the area of church texts and publications, mainly of the Catholic region in the North, but also of the Orthodox in the South. The Protestant reforms invigorated hopes for the development of the local language and literary tradition when cleric Gjon Buzuku brought into the Albanian language the Catholic liturgy, trying to do for the Albanian language what Lutherdid for German.
Meshari (The Missal) by Gjon Buzuku, published in 1555, is considered the first literary work of written Albanian. The refined level of the language and the stabilised orthography must be the result of an earlier tradition of written Albanian, a tradition that is not well understood. However, there is some fragmented evidence, pre-dating Buzuku, which indicates that Albanian was written from at least the 14th century.
The earliest evidence dates from 1332 AD with a Latin report from the French Dominican Guillelmus Adae, Archbishop of Antivari, who wrote that Albanians used Latin letters in their books although their language was quite different from Latin. Other significant examples include: a baptism formula (Unte paghesont premenit Atit et Birit et spertit senit) from 1462, written in Albanian within a Latin text by the Bishop of Durrës, Pal Engjëlli; a glossary of Albanian words of 1497 by Arnold von Harff, a German who had travelled through Albania, and a 15th-century fragment of the Bible from the Gospel of Matthew, also in Albanian, but written in Greek letters.
Albanian writings from these centuries must not have been religious texts only, but historical chronicles too. They are mentioned by the humanist Marin Barleti, who, in his book Rrethimi i Shkodrës(The Siege of Shkodër) (1504), confirms that he leafed through such chronicles written in the language of the people (in vernacula lingua) as well as his famous biography of Skanderbeg Historia de vita et gestis Scanderbegi Epirotarum principis (History of Skanderbeg) (1508). The History of Skanderbeg is still the foundation of Scanderbeg studies and is considered an Albanian cultural treasure, vital to the formation of Albanian national self-consciousness.
During the 16th to 17th centuries, the catechism E mbësuame krishterë (Christian Teachings) (1592) by Lekë Matrënga, Doktrina e krishterë (The Christian Doctrine) (1618) and Rituale romanum (1621) by Pjetër Budi, the first writer of original Albanian prose and poetry, an apology for George Castriot (1636) by Frang Bardhi, who also published a dictionary and folklore creations, the theological-philosophical treaty Cuneus Prophetarum (The Band of Prophets) (1685) by Pjetër Bogdani, the most universal personality of Albanian Middle Ages, were published in Albanian. The most famous Albanian writer is probably Ismail Kadare.
Popular sports in Albania include Football, weightlifting, basketball, volleyball, tennis, swimming, rugby union, and gymnastics. Football is the most popular sport in Albania. It is governed by the Football Association of Albania (Albanian: Federata Shqiptare e Futbollit, F.SH.F.), which was created in 1930 and has membership in FIFA and UEFA.
Football arrived in Albania early in the 20th century when the inhabitants of the northern city of Shkodër were surprised to see a strange game being played by students at a Christian mission. The sport swiftly grew in popularity in a country then under Ottoman Empire rule. Albania was the winner of the 1946 Balkan Cup and the Malta Rothmans International Tournament 2000, but had never participated in any major UEFA or FIFA tournament, until UEFA Euro 2016, Albania's first ever appearance at the continental tournament and at a major men's football tournament. Albania scored their first ever goal in a major tournament and secured their first ever win in European Championship when they beat Romania by 1–0 in a UEFA Euro 2016match on 19 June 2016.
Radio Televizioni Shqiptar (RTSH) is the public radio and TV broadcaster of Albania, founded by King Zog in 1938. RTSH runs three analogue television stations as TVSH Televizioni Shqiptar, four digital thematic stations as RTSH, and three radio stations using the name Radio Tirana. In addition, 4 regional radio stations serve in the four extremities of Albania.The international service broadcasts radio programmes in Albanian and seven other languages via medium wave (AM) and short wave (SW). The international service has used the theme from the song "Keputa një gjethe dafine" as its signature tune. The international television service via satellite was launched since 1993 and aims at Albanian communities in Kosovo, Serbia, Macedonia, Montenegro and northern Greece, plus the Albanian diaspora in the rest of Europe. RTSH has a past of being heavily influenced by the ruling party in its reporting, whether that party be left or right wing.
According to the Albanian Media Authority, AMA, Albania has an estimated 257 media outlets, including 66 radio stations and 67 television stations, with three national, 62 local and more than 50 cable TV stations. Last years Albania has organized several shows as a part of worldwide series like Dancing with the Stars, Big Brother Albania, Albanians Got Talent, The Voice of Albania, and X Factor Albania.
The cuisine of Albania – as with most Mediterranean and Balkan nations – is strongly influenced by its long history. At different times, the territory which is now Albania has been claimed or occupied by Greece, Serbia, Italy and the Ottoman Turks and each group has left its mark on Albanian cuisine. The main meal of Albanians is the midday meal, which is usually accompanied by a salad of fresh vegetables such as tomatoes, cucumbers, green peppers and olives with olive oil, vinegar and salt. It also includes a main dish of vegetables and meat. Though it is used in several dishes, pumpkins are more commonly displayed and traditionally given as gifts throughout Albania, especially in the region of Berat. Seafood specialties are also common in the coastal cities of Durrës, Sarandë and Vlorë. In high elevation localities, smoked meat and pickled preserves are common.